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This list comprises the following : All known commercial recordings, whether released or not. All known titles specially recorded for Radio Transcription Discs (RT).
All known commercially issued recordings of songs from Radio & TV Broadcasts and Film Soundtracks. Titles beginning with 'A' or 'THE' are listed under the second word of the title. Unless otherwise stated, all records were issued in both the U.S.A and the U.K.
The composers' names are shown in full where known. * ISSUED IN THE U.S.A. BUT NOT IN THE U.K. ** ISSUED IN THE U.K. BUT NOT IN THE U.S.A. *** NOT ISSUED IN THE U.S.A. OR THE U.K.
| RECORD TITLES A-Z | |||||
|---|---|---|---|---|---|
| SONG TITLE (With composers in brackets) | Type | Issued | Recorded | Backing | |
| ABILENE - see under 'MY ABILENE' | |||||
| AH, BUT IT HAPPENS (Walter Kent/'By' Dunham) | 1947 | CARMEN CAVALLARO | |||
| ALABAM (Lloyd 'Cowboy' Copas) | 1967 | NASHVILLE MUSICIANS | |||
| ALIAS JESSE JAMES ('By' Dunham/Joe Hooven/Marilyn Hooven) | 1959 | FRANK DE VOL | |||
| ALLEGHENY FIDDLER (Irvin Drake/Jimmy Shirl) | RT | * | 1952 | EARL SHELDON | |
| ALLEGHENY MOON (Al Hoffman/Dick Manning) | 1958 | GLENN OSSER | |||
| ALWAYS ON MY MIND (Wayne Thompson/Mark James/John Christopher) | ** | 1986 | INSTRUMENTAL ACC. | ||
| ANGELS CRY (WHEN SWEETHEARTS TELL A LIE) (Bob Merrill/Bee Walker) | 1950 | PERCY FAITH | |||
| ANGELS CRY (WHEN SWEETHEARTS TELL A LIE) (Bob Merrill/Bee Walker) | 1952 | JIMMY CARROLL | |||
| BALLADEER ( ? ) | *** | 1958 | JIMMY CARROLL | ||
| BEFORE YOU TAKE YOUR LOVE FROM ME (Guy Mitchell) | 1967 | NASHVILLE MUSICIANS | |||
| BEGGAR IN LOVE, A (Bob Merrill) | 1951 | MITCH MILLER | |||
| BELLE, BELLE, MY LIBERTY BELLE (Bob Merrill) | 1951 | MITCH MILLER | |||
| BELLE, BELLE, MY LIBERTY BELLE (Bob Merrill) (NBC Broadcast) | * | 1956 | TOMMY & JIMMY DORSEY | ||
| BELONGING (Carl Sigman/Percy Faith) | 1955 | MITCH MILLER | |||
| BEST THING THAT EVER HAPPENED TO ME, THE (Baker Knight) | * | 1966 | BILLY STRANGE | ||
| BEYOND THE BLUE HORIZON (Richard Whiting/W. Franke Harling/Leo Robin) | RT | * | 1952 | EARL SHELDON | |
| BIG, BIG CHANGE (B. Jaxon/E. Leiser) | 1961 | MORT GARSON | |||
| BIT OF LOVE (Carl Ryan Chandler) | * | 1965 | INSTRUMENTAL ACC. | ||
| BLUE VIOLET (Warren/Kent) | 1962 | JACK NITZSCHE | |||
| BOB'S YER UNCLE (Tommie Connor/Eddie Lisbona) | ** | 1954 | MITCH MILLER | ||
| BODY AND SOUL (Johnny Green/Ed Heyman/Robert Sauer/Frank Eyton) | RT | * | 1952 | EARL SHELDON | |
| BOUQUET OF ROSES (Bob Hilliard/Steve Nelson) | *** | 1963 | ALAN LORBER | ||
| BREAKIN' IN A BROKEN HEART ( ? ) | *** | 1961 | INSTRUMENTAL ACC. | ||
| BRING BACK THE THRILL (Ruth Poll/Pete Rugolo) | RT | * | 1951 | EARL SHELDON | |
| BROKE BUT NOT BUSTED - see under 'I'M BROKE, BUT NOT BUSTED' | |||||
| BUBBLES (Guy Mitchell) | 1967 | NASHVILLE MUSICIANS | |||
| BUILD MY GALLOWS HIGH (THE CLOCK IN THE TOWER) (Sammy Gallop/Guy Wood) | 1952 | JIMMY CARROLL | |||
| BUILD MY GALLOWS HIGH (THE CLOCK IN THE TOWER) (Sammy Gallop/Guy Wood) | 1959 | JOE SHERMAN | |||
| BUTTERFLY DOLL (Kay Twomey/Fred Wise/George Goehring) | 1958 | JIMMY CARROLL | |||
| C'MON LET'S GO (Ben Weisman/Eddie V. Deane/Woody Harris) | 1957 | JIMMY CARROLL | |||
| CABARET (Al Russell/Joel Cowan) (Matrix K.6020-1) | 1949 | DEWEY BERGMAN | |||
| CABARET (Al Russell/Joel Cowan) (Matrix K.6020-3) | 1949 | DEWEY BERGMAN | |||
| CALL-A ME OOP-A SOME TIME (Irving Gordon ?) (With Mindy Carson) | *** | 1953 | JIMMY CARROLL | ||
| CALL ROSIE ON THE PHONE (Bob Hilliard/Milton De Lugg) | 1957 | JIMMY CARROLL | |||
| CALL ROSIE ON THE PHONE (Bob Hilliard/Milton De Lugg) | ** | 1982 | INSTRUMENTAL ACC. | ||
| ('CAUSE I LOVE YA) THAT'S-A-WHY - see under 'THAT'S-A-WHY' | |||||
| CHARLIE'S SHOES (Roy Baham) | * | 1962 | JIMMY HASKELL | ||
| CHEEK TO CHEEK (Irving Berlin) | RT | * | 1951 | EARL SHELDON | |
| CHICKA BOOM (Bob Merrill) | 1953 | MITCH MILLER | |||
| CHICKA BOOM (Bob Merrill) | ** | 1982 | INSTRUMENTAL ACC. | ||
| CHRISTOPHER COLUMBUS (Terry Gilkyson) | 1951 | MITCH MILLER | |||
| CLOCK IN THE TOWER, THE - see under 'BUILD MY GALLOWS HIGH' | |||||
| CLOUD LUCKY SEVEN (Charles Tobias/Peter De Rose) | 1953 | MITCH MILLER | |||
| CLOUD LUCKY SEVEN (Charles Tobias/Peter De Rose) | 1982 | INSTRUMENTAL ACC. | |||
| COME LET ME LOVE YOU TONIGHT (Guy Mitchell/Jan Holly) | ** | 1984 | DEREK COX | ||
| COME LET ME LOVE YOU TONIGHT (Guy Mitchell/Jan Holly) | *** | 1989 | DEREK COX | ||
| CONFETTI (Michael Carr) | RT | * | 1952 | EARL SHELDON | |
| CONTINENTAL, THE (Con Conrad/Herb Magidson) | RT | * | 1952 | EARL SHELDON | |
| CRAZY WITH LOVE (Aaron Schroder/Josephine People) | 1956 | RAY CONNIFF | |||
| CRY HURTIN' HEART (Ed Warren/George Goehring) | 1959 | JOE SHERMAN | |||
| CUFF OF MY SHIRT, THE (Bob Merrill) | 1953 | MITCH MILLER | |||
| CUFF OF MY SHIRT, THE (Bob Merrill) | ** | 1982 | INSTRUMENTAL ACC. | ||
| CURE FOR THE BLUES (Rhoda ? Roberts/Kenny ? Jacobson) | 1957 | JIMMY CARROLL | |||
| DAY OF JUBILO, THE (Terry Gilkyson) | 1952 | MITCH MILLER | |||
| (DID YOU EVER GET) THAT FEELING IN THE MOONLIGHT - see under 'THAT FEELING IN THE MOONLIGHT' - | |||||
| DIME AND A DOLLAR, A (Jay Livingston/Ray Evans) | 1953 | MITCH MILLER | |||
| DIVORCE (Ed Warren/L. Carr) | 1961 | MORT GARSON | |||
| DOLL WITH THE SAWDUST HEART, THE (Joan Whitney/Alex Kramer/Hyman Zaret) | 1952 | MITCH MILLER | |||
| DON'T ROB ANOTHER MAN'S CASTLE (Jenny Lou Carson) | 1952 | MITCH MILLER | |||
| DON'T TELL MY HEART (Buddy Kaye/Cohen) | * | 1949 | BUDDY KAYE | ||
| DOWNTOWN (Tony Hatch) | ** | 1984 | DEREK COX | ||
| DOWNTOWN (Tony Hatch) | *** | 1989 | DEREK COX | ||
| DREAM GIRL (Jay Livingston/Ray Evans) | 1947 | CARMEN CAVALLARO | |||
| DUSTY, THE MAGIC ELF (John Elizondo/Guy Mitchell) (Original Take) (Issued Only In Australia) | *** | 1996 | INSTRUMENTAL ACC. | DUSTY, THE MAGIC ELF (John Elizondo/Guy Mitchell) (Alternative Take) | * | 1996 | INSTRUMENTAL ACC. |
| EAST OF THE SUN (Brooks Bowman) | 1958 | GLENN OSSER | |||
| EAST SIDE OF HEAVEN (James V. Monaco/Johnny Burke) | 1958 | GLENN OSSER | |||
| EMALINE (Frank Perkins/Mitchell Parish) | 1960 | MONTY KELLY | |||
| ENCORE, CHERIE (J. Fred Coots/Alice D. Simms) | * | 1947 | CARMEN CAVALLARO | ||
| EVELYN (Paul Weston/Sid Robin) | 1947 | CARMEN CAVALLARO | |||
| EVERY NIGHT IS A LIFETIME (Guy Mitchell) | 1967 | NASHVILLE MUSICIANS | |||
| EVERYBODY LOVES A LOVER (Richard Adler/Robert Allen) | 1960 | MONTY KELLY | |||
| FEET UP (Bob Merrill) | 1952 | MITCH MILLER | |||
| FEET UP (Bob Merrill) | ** | 1982 | INSTRUMENTAL ACC. | ||
| FINDERS KEEPERS (Tishman/Dick Charles) | 1956 | JIMMY CARROLL | |||
| FIVE LITTLE FINGERS ( ? ) | *** | 1955 | JIMMY CARROLL | ||
| FOLLOW ME (R. Dragotto/M. Palumbo) | 1961 | INSTRUMENTAL ACC. | |||
| FOREIGN LOVE AFFAIR (Wakely/Dant) | * | 1966 | BILL JUSTIS | ||
| FORGET ME NOT (Gogan or Grogan/Bergman) | 1949 | DEWEY BERGMAN | |||
| 'FRISCO LINE (Bob Davis/Dexter Shaffer) (Original Take) | 1968 | NASHVILLE MUSICIANS | |||
| 'FRISCO LINE (Bob Davis/Dexter Shaffer) (Alternative Take) | * | 1968 | NASHVILLE MUSICIANS | ||
| FUN AND FANCY FREE (Bennie Benjamin/George Weiss) | 1960 | MONTY KELLY | |||
| FUNNY THING ABOUT TIME (Howard Greenfield/Jack Keller) | *** | 1963 | ALAN LORBER | ||
| GARDEN IN THE RAIN, A (Carroll Gibbons/James Dyrenforth) | ** | 1984 | ROBERT WALTON | ||
| GARDEN IN THE RAIN, A (Carroll Gibbons/James Dyrenforth) | *** | 1989 | ROBERT WALTON | ||
| GEE, BUT YOU GOTTA COME HOME (Harrington/Ruderman) | 1954 | MITCH MILLER | |||
| GENTLY JOHNNY (Kay Twomey/Fred Wise/Ben Weisman) (With Doris Day) | 1952 | PAUL WESTON | |||
| GEORGY GIRL (Tom Springfield/Jim Dale) | ** | 1984 | DEREK COX | ||
| GEORGY GIRL (Tom Springfield/Jim Dale) | *** | 1989 | DEREK COX | ||
| GET IT OVER (Shirl Milete) | 1968 | NASHVILLE MUSICIANS | |||
| GET YOURSELF A NEW BROOM - see under 'SWEEP YOUR BLUES AWAY' | |||||
| GIDDY-AP! (Harold Rome/Louis Poterat/Max Bert/Francis Lopez) | 1950 | PERCY FAITH | |||
| GIVE ME A CARRIAGE WITH EIGHT WHITE HORSES (Fred Elton/Bert Rotfeld) (Original Take) | 1956 | JIMMY CARROLL | |||
| GIVE ME A CARRIAGE WITH EIGHT WHITE HORSES (Fred Elton/Bert Rotfeld) (Alternative Take) | * | 1956 | JIMMY CARROLL | ||
| GO TIGER, GO ! (Brown/Mayo/Ham) | * | 1962 | AL HAM | ||
| GOOD MORNING HEARTACHE (Guy Mitchell) | 1967 | NASHVILLE MUSICIANS | |||
| GOODBYE MY LOVE (Dewey Bergman/Carley Mills/Harry Carlson) | 1949 | RUFE SMITH | |||
| GOODBYE ROAD, HELLO HOME (Guy Mitchell/Wayne Walker) | 1967 | NASHVILLE MUSICIANS | |||
| GOT A FEELING (Stanley ? Kahan/Eddie ? Snyder) | ** | 1956 | RAY CONNIFF | ||
| GOT A HOLE IN MY SWEATER (Marion Hart) | 1953 | MITCH MILLER | |||
| GREEN GROWS THE GRASS (Al Hoffman/Dick Manning) (Matrix CO.54485) | 1956 | JIMMY CARROLL | |||
| GREEN GROWS THE GRASS (Al Hoffman/Dick Manning) (Matrix CO.55543) | *** | 1956 | JIMMY CARROLL | ||
| GREEN PINE TREE, THE (Bob Merrill) | 1952 | JIMMY CARROLL | |||
| GUILTY HEART (Carl Sigman/Percy Faith) | * | 1958 | RICHARD HAYMAN | ||
| HALF AS MUCH (Curley Williams) | * | 1958 | RICHARD HAYMAN | ||
| HANGIN' AROUND (Ted Varnick/Nick Acquaviva) | 1958 | JIMMY CARROLL | |||
| HANGIN' AROUND WITH YOU (Al Stillman/Ray Doll/Bernard Haltin) | RT | * | 1951 | EARL SHELDON | |
| HANNAH LEE (Stan Jones) | 1953 | MITCH MILLER | |||
| HAVE A NICE DAY ! (Edward Cole) | ** | 1988 | ROBERT WALTON | ||
| HAVE I TOLD YOU LATELY THAT I LOVE YOU ? (Scott Wiseman) | 1962 | JACK NITZSCHE | |||
| HEARTACHES BY THE NUMBER (Harlan Howard) (Columbia - Original Take) | 1959 | JOE SHERMAN | |||
| HEARTACHES BY THE NUMBER (Harlan Howard) (Columbia - Alternative Take) | 1959 | JOE SHERMAN | |||
| HEARTACHES BY THE NUMBER (Harlan Howard) (Starday - Original Take) | 1968 | NASHVILLE MUSICIANS | |||
| HEARTACHES BY THE NUMBER (Harlan Howard) (Starday - Alternative Take) | * | 1968 | NASHVILLE MUSICIANS | ||
| HEARTACHES BY THE NUMBER (Harlan Howard) | 1980 | INSTRUMENTAL ACC. | |||
| HEARTACHES BY THE NUMBER (Harlan Howard) | ** | 1982 | INSTRUMENTAL ACC. | ||
| HEAVEN KNOWS (I LOVE YOU) (Stephen Weiss/Guy Mitchell) | *** | 1974 | BEN WEISMAN | ||
| HEAVEN KNOWS (I LOVE YOU) (Stephen Weiss/Guy Mitchell) | ** | 1986 | INSTRUMENTAL ACC. | ||
| HERE WE ARE (Harry Warren/Gus Kahn) | RT | * | 1951 | EARL SHELDON | |
| HEY, MADAME (Jay Livingston/Ray Evans) | * | 1958 | JIMMY CARROLL | ||
| HO-HO (DEEDLE-EE-DI-DI) (Bob Merrill) | RT | * | 1951 | EARL SHELDON | |
| HOME (Peter Van Steeden/Harry Clarkson/Jeff Clarkson) | RT | * | 1951 | EARL SHELDON | |
| HOMETOWN RAG ( ? ) | *** | 1955 | RAY CONNIFF | ||
| HONEY BROWN EYES (Sammy Gallop) | 1958 | JIMMY CARROLL | |||
| HOOT OWL (Kay Twomey/Fred Wise/Thomas) | * | 1957 | JIMMY CARROLL | ||
| HOUSE OF SINGING BAMBOO, THE (Harry Warren/Arthur Freed) (With Rosemary Clooney) | 1950 | PERCY FAITH | |||
| HOUSE WITHOUT LOVE, A (Hank Williams) | 1952 | JIMMY CARROLL | |||
| I CAN'T FORGET YOUR LOVE ( ? ) | *** | 1961 | INSTRUMENTAL ACC. | ||
| I CAN'T GET STARTED (Vernon Duke/Ira Gershwin) | RT | * | 1952 | EARL SHELDON | |
| I CAN'T HELP IT (Hank Williams) | 1951 | MITCH MILLER | |||
| I DO, I DO, I DO (Russ Morgan/Cy Coben/Irving Melsher) (With Louise Carlyle) | 1949 | DEWEY BERGMAN | |||
| I DON'T CARE ( ? ) | *** | 1966 | ? | ||
| I GET ALONG WITHOUT YOU VERY WELL (Hoagy Carmichael) | RT | * | 1951 | EARL SHELDON | |
| I GET IDEAS (Dorcas Cochran/Sanders) | RT | * | 1951 | EARL SHELDON | |
| I GO IN WHEN THE MOON COMES OUT (Nat Simon/Charles Tobias) | 1947 | CARMEN CAVALLARO | |||
| I HADN'T ANYONE TILL YOU (Ray Noble) | ** | 1984 | DEREK COX | ||
| I HADN'T ANYONE TILL YOU (Ray Noble) | *** | 1989 | DEREK COX | ||
| I HAVE DREAMED (Richard Rodgers/Oscar Hammerstein) | RT | * | 1951 | EARL SHELDON | |
| I HEAR A RHAPSODY (Jack Baker/George Fregos/Dick Gasparre) | RT | * | 1952 | EARL SHELDON | |
| I KNEW YOU WHEN (J.Fred Coots/Herb Magidson) | RT | * | 1952 | EARL SHELDON | |
| I LOVE THE WAY YOU SAY GOODNIGHT (Edward Pola/George Wyle) | RT | * | 1951 | EARL SHELDON | |
| I LOVE YOU (Guy Mitchell) | * | 1986 | INSTRUMENTAL ACC. | ||
| I MET THE CUTEST LITTLE EYEFUL (Sid Wayne/Phil Springer) | 1954 | MITCH MILLER | |||
| (I STOOD AND THREW) CONFETTI - see under 'CONFETTI' | |||||
| I THOUGHT I WAS DREAMING (Carlson/Craig/Nolan) (Matrix K.6046-1) | * | 1949 | RUFE SMITH | ||
| I THOUGHT I WAS DREAMING (Carlson/Craig/Nolan) (Matrix K.6046-?) | 1949 | RUFE SMITH | |||
| I USED TO YATE YA (Al Hoffman/Dick Manning) | 1955 | JIMMY CARROLL | |||
| I WANT YOU FOR A SUNBEAM (Bob Merrill) (With Mindy Carson) | 1953 | MITCH MILLER | |||
| I WAS BORN WHEN YOU KISSED ME (Guy Mitchell/Mac Vickory) | 1968 | NASHVILLE MUSICIANS | |||
| I WILL LOVE YOU FOREVER, MY LOVE (Ted Varnick/Nick Acquaviva) | 1952 | JIMMY CARROLL | |||
| I WISH EVERY DAY WAS LIKE CHRISTMAS (John Elizondo) | * | 1997 | INSTRUMENTAL ACC. | ||
| I WISH I HAD A RECORD (Al Goodhart/Arthur Altman/Hal David) | 1949 | RUFE SMITH | |||
| I'D LIKE TO SAY A FEW WORDS ABOUT TEXAS (Al Hoffman/Dick Manning) | 1956 | JIMMY CARROLL | |||
| I'LL JUST PRETEND (Graham Turnbull,aka Scotty Turner/Mort Garson) | 1961 | MORT GARSON | |||
| I'LL SEE YOU AGAIN (Noel Coward) | ** | 1984 | ROBERT WALTON | ||
| I'LL SEE YOU AGAIN (Noel Coward) | *** | 1989 | ROBERT WALTON | ||
| I'M BROKE,BUT NOT BUSTED (Guy Mitchell) (Matrix GMI-5379 etc.) | * | 1974 | BEN WEISMAN | ||
| I'M BROKE,BUT NOT BUSTED (Guy Mitchell) (Matrix GMI-3912 etc.) | * | 1974 | BEN WEISMAN | ||
| I'M BROKE,BUT NOT BUSTED (Guy Mitchell) | ** | 1986 | INSTRUMENTAL ACC. | ||
| I'M GONNA LEAVE YOU NOW (Terry Gilkyson/Richard Dehr/Frank Miller) | * | 1959 | FRANK DE VOL | ||
| I'M LEARNIN' (Graham Turnbull,aka Scotty Turner/John Marascalco) | *** | 1961 | INSTRUMENTAL ACC. | ||
| I'VE DECIDED THAT I LOVE YOU ( ? ) | *** | 1974 | BEN WEISMAN | ||
| I'VE GOT A FRAME WITHOUT A PICTURE (Anson/Waller) (Matrix K.6049-?) |
1949 | RUFE SMITH | |||
| I'VE GOT A FRAME WITHOUT A PICTURE (Anson/Waller) (Matrix K.6049-3) |
1949 | RUFE SMITH | |||
| I'VE GOT A POCKETFUL OF DREAMS (James V.Monaco/Johnny Burke) | 1960 | MONTY KELLY | |||
| IF (Tolchard Evans/Robert Hargreaves/Stanley Damerell) | ** | 1984 | ROBERT WALTON | ||
| IF (Tolchard Evans/Robert Hargreaves/Stanley Damerell) | *** | 1989 | ROBERT WALTON | ||
| IF I HAD MY LIFE TO LIVE OVER (Moe Jaffe/Henry Tobias/Larry Vincent) | * | 1966 | BILLY STRANGE | ||
| IF THE GOOD LORD'S WILLIN' (Jones ) | * | 1965 | INSTRUMENTAL ACC. | ||
| IF YA DON'T LIKE IT, DON'T KNOCK IT (Ben Weisman/Eddie V.Deane/Woody Harris) | ** | 1957 | JIMMY CARROLL | ||
| IF YOU CAN'T CALL IT LOVE, CALL IT OFF (Ben Weisman) | * | 1974 | BEN WEISMAN | ||
| IF YOU COULD CRY ME MY TEARS (Guy Mitchell) (OriginalTake ) | 1968 | NASHVILLE MUSICIANS | |||
| IF YOU COULD CRY ME MY TEARS (Guy Mitchell) (Alternative Take) (Issued Only In France) | *** | 1968 | NASHVILLE MUSICIANS | ||
| IF YOU EVER GO AWAY (Van Dam/Kermit ? Goell) | * | 1962 | JACK NITZSCHE | ||
| IN THE MIDDLE OF A DARK, DARK NIGHT (Bob Merrill) | 1957 | JIMMY CARROLL | |||
| IN THE MIDDLE OF A RIDDLE OF TEARS ( ? ) | *** | 1961 | MORT GARSON | ||
| IRENE GOODBYE (Guy Mitchell) | 1967 | NASHVILLE MUSICIANS | |||
| IS YOUR MOTHER HOME, BEAUTIFUL BABY ( ? ) (With Mindy Carson) | *** | 1953 | NORMAN LEYDEN | ||
| IT KEEPS RIGHT ON A-HURTIN' (Johnny Tillotson) | ** | 1989 | THE WILD BUNCH | ||
| IT'S A NEW WORLD EVERY DAY (John L. Fitzmorris) (Original Take) | 1968 | NASHVILLE MUSICIANS | |||
| IT'S A NEW WORLD EVERY DAY (John L. Fitzmorris) (Alternative Take) | * | 1968 | NASHVILLE MUSICIANS | ||
| IT'S BEEN A LONG, LONG TIME (Jule Styne/Sammy Cahn) | 1960 | MONTY KELLY | |||
| JALOUSIE (JEALOUSY) (Jacob Gade/Vera Bloom) | RT | * | 1952 | EARL SHELDON | |
| JAMBALAYA (Hank Williams) | ** | 1989 | THE WILD BUNCH | ||
| JEALOUSY - see under 'JALOUSIE' | |||||
| JEANNINE, I DREAM OF LILAC TIME (Nat Shilkret/L.Wolfe Gilbert) | RT | * | 1951 | EARL SHELDON | |
| JENNY KISSED ME (Sid Tepper/Roy Brodsky) | 1952 | MITCH MILLER | |||
| JUST WISH YOU'D MAYBE CHANGE YOUR MIND (Chris Gantry) | 1968 | NASHVILLE MUSICIANS | |||
| KISS TO BUILD A DREAM ON, A (Bert Kalmar/Harry Ruby/Oscar Hammerstein) | RT | * | 1951 | EARL SHELDON | |
| KNEE DEEP IN THE BLUES (Melvin Endsley) | 1956 | RAY CONNIFF | |||
| KNEE DEEP IN THE BLUES (Melvin Endsley) (Issued Only In Australia) | RT | *** | 1957 | THE FORD SHOW ORCH. | |
| KNEE DEEP IN THE BLUES (Melvin Endsley) | 1980 | INSTRUMENTAL ACC. | |||
| KNEE DEEP IN THE BLUES (Melvin Endsley) | ** | 1982 | INSTRUMENTAL ACC. | ||
| LADYKILLER (Jay Livingston/Ray Evans) (With 'Red Garters' Cast) (Film Soundtrack.Issued only in Germany) | *** | 1953 | PARAMOUNT STUDIO ORCH. | ||
| LET IT SHINE, LET IT SHINE (Mann ? Curtis/Arthur ? Kent) | 1958 | JIMMY CARROLL | |||
| LETS US BE SWEETHEARTS OVER AGAIN (Joseph Gilbert) | 1955 | MITCH MILLER | |||
| LET YOUR LOVE FLOW (L.E.Williams) (With Eddi Reader) | *** | 1989 | THE WILD BUNCH | ||
| LET'S STOP THE CLOCK (J.Fred Coots/Haven Gillespie) | RT | * | 1952 | EARL SHELDON | |
| LET'S TAKE A WALK AROUND THE BLOCK (Harold Arlen/Ira Gershwin/E.Y.Harburg) | RT | * | 1951 | EARL SHELDON | |
| LIMEHOUSE BLUES (Philip Braham/Douglas Furber) | ** | 1984 | DEREK COX | ||
| LIMEHOUSE BLUES (Philip Braham/Douglas Furber) | *** | 1989 | DEREK COX | ||
| LITTLE KISS GOODNIGHT, A (Bob Merrill) (With Doris Day) | 1952 | PAUL WESTON | |||
| LITTLE OLD LADY OF THREADNEEDLE STREET, THE (James Cavanaugh/ Guy Wood/Larry Stock) | *** | 1947 | CARMEN CAVALLARO | ||
| LONELY NIGHTS (Jan Holly) | *** | 1983 | JAN HOLLY & SUNDOWN | ||
| LOOK AT THAT GIRL (Bob Merrill) | 1953 | MITCH MILLER | |||
| LOOK AT THAT GIRL (Bob Merrill) (Issued Only In Australia) | RT | *** | 1957 | THE FORD SHOW ORCH. | |
| LOOSEN UP LUCY (Mann ? Curtis/George Goehring) | * | 1958 | RICHARD HAYMAN | ||
| LORD MADE A PEANUT, THE (Bob Merrill) | * | 1957 | RAY CONNIFF | ||
| LOST HIGHWAY (Leon Payne) | 1952 | JIMMY CARROLL | |||
| LOVE BIRDS (Reid ) (With Barbara Cameron) | 1949 | INSTRUMENTAL ACC. | |||
| LOVE LETTERS IN THE SAND (J.Fred Coots/Nick Kenny/Charles Kenny) | RT | * | 1951 | EARL SHELDON | |
| LOVE LOCKED OUT (Ray Noble/Max Kester) | RT | * | 1951 | EARL SHELDON | |
| LOVE NEST, THE (Otto Harbach/Louis A.Hirsch) | * | 1949 | BUDDY KAYE | ||
| LOVER'S GOLD (Bob Merrill/Morty Nevins) | 1949 | LEON MERIAN | |||
| MACNAMARA'S BAND (Shamus O'Connor/John J. Stamford) | RT | * | 1952 | EARL SHELDON | |
| MAIL MY HEART TO THE DEAD LETTER OFFICE (Lance/Al Cernick) | 1952 | JIMMY CARROLL | |||
| MAN AND WOMAN (Jay Livingston/Ray Evans) (Film Soundtrack) (With Rosemary Clooney) | 1953 | PARAMOUNT STUDIO ORCH. | |||
| MAN OVERBOARD (Sid Wayne/Phil Springer) (Matrix CO.51964) | *** | 1954 | MITCH MILLER | ||
| MAN OVERBOARD (Sid Wayne/Phil Springer) (Matrix CO.53046) | *** | 1955 | MITCH MILLER | ||
| MAN OVERBOARD (Sid Wayne/Phil Springer) (Matrix CO.53233) | 1955 | MITCH MILLER | |||
| MARRYING FOR LOVE (Irving Berlin) (With Rosemary Clooney) | * | 1950 | PERCY FAITH | ||
| ME AND MY IMAGINATION (Bob Merrill/Al Hoffman) | 1950 | PERCY FAITH | |||
| ME AND THE MOON (Lou Handman/Walter Hirsch) | 1958 | GLENN OSSER | |||
| MEET A HAPPY GUY (Jay Livingston/Ray Evans) | 1953 | MITCH MILLER | |||
| MEET THE SUN HALFWAY (James V.Monaco/Johnny Burke) | 1960 | MONTY KELLY | |||
| MEMORY NUMBER ONE (Max Powell) | 1968 | NASHVILLE MUSICIANS | |||
| MISTER HOBO (Carl Ryan Chandler) | * | 1965 | INSTRUMENTAL ACC. | ||
| MOON GOT IN MY EYES (Arthur Johnston/Johnny Burke) | 1958 | GLENN OSSER | |||
| MOON WAS YELLOW, THE (Fred A.Ahlert/Edgar Leslie) | RT | * | 1951 | EARL SHELDON | |
| MOONLIGHT MADNESS (J.Fred Coots/Lou Davis) | RT | * | 1952 | EARL SHELDON | |
| MORE THAN LOVE (Bernie Wayne/Eve Jay/Schreier-Bettere) | RT | * | 1952 | EARL SHELDON | |
| MUSIC!MUSIC!MUSIC! (Stephen Weiss/Bernie Baum) | ** | 1982 | INSTRUMENTAL ACC. | ||
| MY ABILENE (William York) | 1967 | NASHVILLE MUSICIANS | |||
| MY ANGEL (Austin McCoy) | * | 1965 | INSTRUMENTAL ACC. | ||
| MY ANGELENE (Florence Planer Seyden) | * | 1949 | STEVE SACCO | ||
| MY DARLING (Richard Myers/Ed Heyman) | RT | * | 1951 | EARL SHELDON | |
| MY DOG AND ME (Bob Merrill) | 1952 | JIMMY CARROLL | |||
| MY DREAMS ARE GETTING BETTER ALL THE TIME (Vic Mizzy/Mann Curtis) | 1960 | MONTY KELLY | |||
| MY FATE IS IN YOUR HANDS (Thomas 'Fats' Waller/Andy Razaf) | RT | * | 1952 | EARL SHELDON | |
| MY HEART CRIES FOR YOU (Carl Sigman/Percy Faith) | 1950 | MITCH MILLER | |||
| MY HEART CRIES FOR YOU (Carl Sigman/Percy Faith) | 1958 | RICHARD HAYMAN | |||
| MY HEART CRIES FOR YOU (Carl Sigman/Percy Faith) | 1968 | NASHVILLE MUSICIANS | |||
| MY HEART CRIES FOR YOU (Carl Sigman/Percy Faith) | ** | 1982 | INSTRUMENTAL ACC. | ||
| MY HEAVEN AND EARTH (Bob Merrill) | 1954 | MITCH MILLER | |||
| MY KIND OF GIRL (Leslie Bricusse) | ** | 1984 | DEREK COX | ||
| MY KIND OF GIRL (Leslie Bricusse) | *** | 1989 | DEREK COX | ||
| MY MELANCHOLY BABY (Ernie Burnett/George A.Norton) | *** | 1963 | ALAN LORBER | ||
| MY SHOES KEEP WALKING BACK TO YOU (Lee Ross/Bob Wills) | 1960 | MONTY KELLY | |||
| MY SHOES KEEP WALKING BACK TO YOU (Lee Ross/Bob Wills) | ** | 1982 | INSTRUMENTAL ACC. | ||
| MY SOUL IN SILENCE SINGS (Guy Mitchell) | * | 1986 | INSTRUMENTAL ACC. | ||
| MY TRULY, TRULY FAIR (Bob Merrill) | 1951 | MITCH MILLER | |||
| MY TRULY, TRULY FAIR (Bob Merrill) | 1967 | NASHVILLE MUSICIANS | |||
| MY TRULY, TRULY FAIR (Bob Merrill) | ** | 1982 | INSTRUMENTAL ACC. | ||
| MY WORLD STANDS STILL (Guy Mitchell) | * | 1986 | INSTRUMENTAL ACC. | ||
| NINETY NINE YEARS (Sid Wayne/John Benson Brookes) (Original Take) | 1955 | JIMMY CARROLL | |||
| NINETY NINE YEARS (Sid Wayne/John Benson Brookes) (Alternative Take) | * | 1955 | JIMMY CARROLL | ||
| NOBODY HOME (Sid Wayne/Phil Springer) | * | 1955 | NORMAN LEYDEN | ||
| NOTIFY THE F.B.I. (Jack Keller/Noel Sherman) (Issued Only In Germany) | *** | 1959 | JOE SHERMAN | ||
| NOW AND FOREVER (Jan Savitt/Al Stillman) | RT | * | 1951 | EARL SHELDON | |
| O-WELL-O (Sid Wayne/Phil Springer) | *** | 1954 | MITCH MILLER | ||
| OH, BLUES (STOP KNOCKIN' AT MY DOOR) ( ? ) | *** | 1961 | MORT GARSON | ||
| OH! HOW I MISS YOU TONIGHT (Benny Davis/Joe Burke/Mark Fisher) | RT | * | 1951 | EARL SHELDON | |
| OLD FASHIONED SWEETHEART ( ? ) | *** | 1955 | RAY CONNIFF | ||
| ONE, TWO, BUTTON YOUR SHOE (Arthur Johnston/Johnny Burke) | RT | * | 1951 | EARL SHELDON | |
| ONE WAY STREET (Kenny Jacobson/Rhoda Roberts) | 1957 | RAY CONNIFF | |||
| OTTO'S GOTTA GO (Sid Wayne/Hal David/Leon Carr) | * | 1955 | THE SAUERBRATEN FIVE | ||
| PENNIES FROM HEAVEN (Arthur Johnston/Johnny Burke) | RT | * | 1951 | EARL SHELDON | |
| PENNIES FROM HEAVEN (Arthur Johnston/Johnny Burke) (Recorded March 2, 1958 ) | *** | 1958 | GLENN OSSER | ||
| PENNIES FROM HEAVEN (Arthur Johnston/Johnny Burke) (Recorded March 5, 1958 ) | 1958 | GLENN OSSER | |||
| PERFIDIA (Alberto Dominguez/Milton Leeds) | RT | * | 1952 | EARL SHELDON | |
| PERFUME, CANDY AND FLOWERS (Bob Merrill) | 1955 | JIMMY CARROLL | |||
| PITTSBURGH, PENNSYLVANIA (Bob Merrill) | 1952 | MITCH MILLER | |||
| PITTSBURGH, PENNSYLVANIA (Bob Merrill) | ** | 1982 | INSTRUMENTAL ACC. | ||
| PLACE WHERE I WORSHIP, THE (Florence Tarr/Fay Foster/Al Goodhart) (With Rosemary Clooney) | 1950 | PERCY FAITH | |||
| PRECIOUS LITTLE THING CALLED LOVE, A (J.Fred Coots/Lou Davis) | RT | * | 1951 | EARL SHELDON | |
| PRETTY LITTLE BLACK-EYED SUSIE (Kay Twomey/Fred Wise/Ben Weisman) | 1952 | MITCH MILLER | |||
| PRETTY LITTLE BLACK-EYED SUSIE (Kay Twomey/Fred Wise/Ben Weisman) | ** | 1982 | INSTRUMENTAL ACC. | PRIDE O'DIXIE (Wayne/Mark ? Wolfson/Edward ? White)) | 1959 | RICHARD HAYMAN |
| RIDIN' AROUND IN THE RAIN (Carmen Lombardo/Gene Austin) | 1960 | MONTY KELLY | |||
| ROCK-A-BILLY (Eddie V. Deane/Woody Harris) (Columbia Original Take ) | 1957 | JIMMY CARROLL | |||
| ROCK-A-BILLY (Eddie V. Deane/Woody Harris) (Columbia Alternative Take ) | * | 1957 | JIMMY CARROLL | ||
| ROCK-A-BILLY (Eddie V. Deane/Woody Harris) | 1980 | INSTRUMENTAL ACC. | |||
| ROCK-A-BILLY (Eddie V. Deane/Woody Harris) | ** | 1982 | INSTRUMENTAL ACC. | ||
| ROVING KIND, THE (Jessie Cavanaugh/Arnold Stanton) | 1950 | MITCH MILLER | |||
| ROVING KIND, THE (Jessie Cavanaugh/Arnold Stanton) (NBC Broadcast ) | * | 1956 | TOMMY & JIMMY DORSEY | ||
| ROVING KIND, THE (Jessie Cavanaugh/Arnold Stanton) | ** | 1982 | INSTRUMENTAL ACC. | ||
| RUN TO THE DOOR (Baker Knight) | * | 1966 | SHORTY ROGERS | ||
| RUSTY OLD HALO (Bob Merrill) | * | 1962 | JIMMIE HASKELL | ||
| SAME OLD ME, THE (Fuzzy Owen) (Original Take) | 1959 | JOE SHERMAN | |||
| SAME OLD ME, THE (Fuzzy Owen) (Alternative Take) | 1959 | JOE SHERMAN | |||
| SETTIN' THE WOODS ON FIRE (Ed G.Nelson/Fred Rose) | ** | 1989 | THE WILD BUNCH | ||
| SHE WEARS RED FEATHERS (Bob Merrill) | 1952 | MITCH MILLER | |||
| SHE WEARS RED FEATHERS (Bob Merrill) | ** | 1982 | INSTRUMENTAL ACC. | ||
| SHE'S BACK (Bob Orrison/Ray Eddlemon) | * | 1972 | INSTRUMENTAL ACC. | ||
| SIDE BY SIDE (Harry Woods/Simon) | RT | * | 1952 | EARL SHELDON | |
| SIDE BY SIDE (Harry Woods/Simon) | ** | 1982 | INSTRUMENTAL ACC. | ||
| SILVER MOON UPON THE GOLDEN SANDS (Sylvia Dee/George Goehring) | 1960 | MONTY KELLY | |||
| SINGING HILLS, THE (Sammy Mysels/Dick Sanford/Mack David) | 1958 | GLENN OSSER | |||
| SINGING THE BLUES (Melvin Endsley) | 1956 | RAY CONNIFF | |||
| SINGING THE BLUES (Melvin Endsley) (Issued Only In Australia) | RT | *** | 1957 | THE FORD SHOW ORCH. | |
| SINGING THE BLUES (Melvin Endsley) | 1967 | NASHVILLE MUSICIANS | |||
| SINGING THE BLUES (Melvin Endsley) | 1980 | INSTRUMENTAL ACC. | |||
| SINGING THE BLUES (Melvin Endsley) | ** | 1982 | INSTRUMENTAL ACC. | ||
| SINGING THE BLUES (Melvin Endsley) | ** | 1989 | THE WILD BUNCH | ||
| SINGING THE BLUES AGAIN (Jan Holly) | *** | 1983 | JAN HOLLY & SUNDOWN | ||
| SINGING THE BLUES THIS CHRISTMAS (John Elizondo/Guy Mitchell) | * | 1997 | INSTRUMENTAL ACC. | ||
| SIPPIN' SODA (Paul Campbell) | 1953 | NORMAN LUBOFF | |||
| SIPPIN' SODA (Paul Campbell) | ** | 1982 | INSTRUMENTAL ACC. | ||
| SITTING ON TOP OF THE WORLD (LOVING YOU) (Jan Holly) | *** | 1983 | JAN HOLLY & SUNDOWN | ||
| SLIP OUT THE WINDOW ( ? ) | *** | 1961 | INSTRUMENTAL ACC. | ||
| SMILE (Charlie Chaplin/Geoffrey Parsons/John Turner) | ** | 1984 | ROBERT WALTON | ||
| SMILE (Charlie Chaplin/Geoffrey Parsons/John Turner) | *** | 1989 | ROBERT WALTON | ||
| SMOKEY BLUE EYES ( Fred Horton/Morgan/Wes Bryan/Kirkland) (Original Take) | 1968 | NASHVILLE MUSICIANS | |||
| SMOKEY BLUE EYES (Fred Horton/Morgan/Wes Bryan/Kirkland) (Alternative Take) | * | 1968 | NASHVILLE MUSICIANS | ||
| SNEAKY PETE ( ? ) | *** | 1958 | RICHARD HAYMAN | ||
| SO AM I (Care/S. Marcus) (With Mindy Carson ) | 1953 | MITCH MILLER | |||
| SO DO I (Arthur Johnston/Johnny Burke) | 1958 | GLENN OSSER | |||
| SO THE BLUEBIRDS AND THE BLACKBIRDS GOT TOGETHER (Billy Moll/Harry Barris) | RT | * | 1951 | EARL SHELDON | |
| SOFT RAIN (Ray Price) | 1961 | MORT GARSON | |||
| SOFTLY, AS IN A MORNING SUNRISE (Sigmund Romberg/Oscar Hammerstein) | RT | * | 1951 | EARL SHELDON | |
| SOLO (Al Hoffman/Dick Manning) | 1956 | JIMMY CARROLL | |||
| SOMETHING (George Harrison) | ** | 1984 | ROBERT WALTON | ||
| SOMETHING (George Harrison) | *** | 1989 | ROBERT WALTON | ||
| SORRENTO - see under 'TORNA A SURRIENTO' | |||||
| SPARROW IN THE TREETOP (Bob Merrill) | 1951 | MITCH MILLER | |||
| SPARROW IN THE TREETOP (Bob Merrill) (Issued Only In Australia) | RT | *** | 1957 | THE FORD SHOW ORCH. | |
| SPARROW IN THE TREETOP (Bob Merrill) | ** | 1982 | INSTRUMENTAL ACC. | ||
| STROLLIN' BLUES (Terry Gilkyson/Richard Dehr/Frank Miller) | 1953 | NORMAN LUBOFF | |||
| SUNSHINE GUITAR (Bob Hilliard/Robert Allen) | 1960 | MONTY KELLY | |||
| SWEEP YOUR BLUES AWAY (Harold Arlen/Ted Koehler) aka 'Get Yourself A New Broom' | ** | 1988 | ROBERT WALTON | ||
| SWEET STUFF (Harold Schroeder/Ben Weisman) | 1957 | JIMMY CARROLL | |||
| SWEETHEART OF YESTERDAY (Carl Sigman/Percy Faith) | 1951 | MITCH MILLER | |||
| SYMPHONY OF SPRING (Lee Pearl/Arthur Berman/Eddie Lisbona) | 1958 | GLENN OSSER | |||
| TAKE ME BACK BABY (Claude De Metruis) | 1956 | RAY CONNIFF | |||
| TAKE MY HEART (Pat Genaro/Bill Borrelli) | RT | * | 1952 | EARL SHELDON | |
| TAKE YOUR TIME (Price) | * | 1965 | INSTRUMENTAL ACC. | ||
| TEAR DOWN THE MOUNTAINS (Cy Coben) | 1953 | MITCH MILLER | |||
| TELL US WHERE THE GOOD TIMES ARE (Bob Merrill) (With Mindy Carson) | 1953 | MITCH MILLER | |||
| TENNESSEE WALTZ (Redd Stewart/Pee Wee King) | ** | 1989 | THE WILD BUNCH | ||
| THANK YOU, LORD (Guy Mitchell ) | * | 1986 | INSTRUMENTAL ACC. | ||
| THAT FEELING IN THE MOONLIGHT (James Cavanaugh/Larry Stock/Ira Schuster) | 1960 | MONTY KELLY | |||
| THAT'S A-WHY (Bob Merrill) (With Mindy Carson ) | 1952 | MITCH MILLER | |||
| THAT'S MY HEART (Bob Orrison/Ray Eddlemon) | * | 1972 | INSTRUMENTAL ACC. | ||
| THERE AIN'T NO WAY (Guy Mitchell) | * | 1986 | INSTRUMENTAL ACC. | ||
| THERE AIN'T NO WAY (Guy Mitchell) | ** | 1988 | ROBERT WALTON | ||
| THERE ONCE WAS A MAN (Jerry Adler/Larry Ross) | * | 1954 | MITCH MILLER | ||
| THERE'S A PAWNSHOP ON THE CORNER - see under 'PITTSBURGH, PENNSYLVANIA' | |||||
| THERE'S ALWAYS ROOM AT OUR HOUSE (Bob Merrill) | 1951 | MITCH MILLER | |||
| THERE'S NOTHING AS SWEET AS MY BABY (Hank Williams) (With Mindy Carson) | * | 1953 | MITCH MILLER | ||
| THIS DAY IS MINE (Henderson/Glover) | 1949 | DEWEY BERGMAN | |||
| THIS TIME IT'S LOVE (J.Fred Coots/Sam M. Lewis) | RT | * | 1951 | EARL SHELDON | |
| TILL WE'RE ENGAGED (Kay Twomey/Fred Wise/Thomas) | 1958 | JIMMY CARROLL | |||
| TO ME YOU'RE A SONG (Bob Merrill) | 1950 | PERCY FAITH | |||
| TONDA WANDA HOY (Mack David/Jerry Livingston) | RT | * | 1951 | EARL SHELDON | |
| TOO LATE (Jimmy Wakely) | * | 1955 | GUITAR & PIANO ACC. | ||
| TOO LATE (Jimmy Wakely) | 1955 | RAY ELLIS | |||
| TORNA A SURRIENTO (Ernesto de Curtis/G.B.de Curtis) | * | 1951-2 | ORCHESTRAL ACC. | ||
| TRAIN OF LOVE (Joan Whitney/Alex Kramer/Hyman Zaret) (With Mindy Carson ) | 1952 | MITCH MILLER | |||
| TRAVELING SHOES (Wayne P. Walker/Sykes) | 1967 | NASHVILLE MUSICIANS | |||
| TRUE LOVE'S A BLESSING ( ? ) | *** | 1966 | ? | ||
| TURN IT AROUND IN YOU MIND (Ben Weisman/Cunningham) (Matrix GMI-5379 etc.) | * | 1974 | BEN WEISMAN | ||
| TURN IT AROUND IN YOU MIND (Ben Weisman/Cunningham) (Matrix GMI-3912 etc.) | * | 1974 | BEN WEISMAN | ||
| TWO (Mann ? Curtis/George ? Goehring) | 1959 | JOE SHERMAN | |||
| UNBELIEVER, THE (Kulma/Menzies) | 1956 | JIMMY CARROLL | |||
| UNDER A BLANKET OF BLUE (Jerry Livingston/Marty Symes) | 1958 | GLENN OSSER | |||
| UNDER A RAINBOW (Milton Leeds/Ben Weisman) | * | 1958 | JIMMY CARROLL | ||
| UNLESS (Tolchard Evans/Robert Hargreaves/Stanley Damerell/Tilsley) | 1951 | MITCH MILLER | |||
| WALKIN' AND WOND'RIN' (Bob Merrill) | 1953 | MITCH MILLER | |||
| WAS IT RAIN ? (Lou Handman/Walter Hirsch) | 1958 | GLENN OSSER | |||
| WE WON'T LIVE IN A CASTLE (Bob Merrill) | 1951 | MITCH MILLER | |||
| WHAT AM I DOING IN KANSAS CITY (Bob Merrill) | 1953 | MITCH MILLER | |||
| WHAT'S NEW ? (Bob Haggart/Johnny Burke) | RT | * | 1951 | EARL SHELDON | |
| WHEN BLINKY BLOWS (Sammy Gallop/Peg Horther) (Original Take) | 1955 | RAY ELLIS | |||
| WHEN BLINKY BLOWS (Sammy Gallop/Peg Horther) (Alternative Take) | * | 1955 | RAY ELLIS | ||
| WHEN IT'S NIGHT TIME DOWN IN SUNNY TENNESSEE (Hazel Dowd) | * | 1949 | STEVE SACCO | ||
| WHEN SHADOWS FALL - see under 'HOME' | |||||
| WHEN SWEETHEARTS TELL A LIE - see under 'ANGELS CRY' | |||||
| (WHEN WE ARE DANCING) I GET IDEAS - see under 'I GET IDEAS' | |||||
| WHERE I MAY LIVE WITH MY LOVE (Jack Segal/Evelyn Danzig) | RT | * | 1952 | EARL SHELDON | |
| WHERE I MAY LIVE WITH MY LOVE (Jack Segal/Evelyn Danzig) | 1958 | GLENN OSSER | |||
| WHERE IN THE WORLD (Buddy Kaye/Carl Lampl) | 1950 | PERCY FAITH | |||
| WHISKY TALK (Guy Mitchell/Linda Overson) | ** | 1988 | ROBERT WALTON | ||
| WHO KNOWS LOVE (Jimmy Kennedy/Nat Simon) | 1951 | MITCH MILLER | |||
| WHY, BABY, BABY (George Jones/Darrell Edwards) | 1967 | NASHVILLE MUSICIANS | |||
| WHY SHOULD I GO HOME (Bob Merrill) | 1952 | MITCH MILLER | |||
| WIMMIN (John Jerome) | 1951 | MITCH MILLER | |||
| WIND BENEATH MY WINGS, THE (Larry Henley/Jeff Silbar) | ** | 1986 | INSTRUMENTAL ACC. | ||
| WISE MAN OR FOOL (Bob Merrill) | 1952 | MITCH MILLER | |||
| WONDERIN' AND WORRYIN' (Earl Shuman/Alden Shuman) | ** | 1957 | RAY CONIFF | ||
| WORLD OF LOVE (Guy Mitchell) | * | 1986 | INSTRUMENTAL ACC. | ||
| YESTERDAY (John Lennon/Paul McCartney) | ** | 1984 | ROBERT WALTON | ||
| YESTERDAY (John Lennon/Paul McCartney) | *** | 1989 | ROBERT WALTON | ||
| YOU CAN'T HURT ME ANY MORE (Carl Ryan Chandler) | * | 1965 | INSTRUMENTAL ACC. | ||
| YOU GO TO MY HEAD (J.Fred Coots/Haven Gillespie) | RT | * | 1952 | EARL SHELDON | |
| YOU'LL NEVER BE MINE (Kay Twomey/Fred Wise/Ben Weisman) | 1952 | MITCH MILLER | |||
| YOU'RE GETTING TO BE A HABIT WITH ME ( Harry Warren/Al Dubin) | RT | * | 1952 | EARL SHELDON | |
| YOU'RE GONNA LOSE YOUR GAL (James V. Monaco/Joe Young) | RT | * | 1951 | EARL SHELDON | |
| YOU'RE JUST IN LOVE (Irving Berlin) (With Rosemary Clooney) | 1950 | PERCY FAITH | |||
| YOU'RE MY FANTASY (Jan Holly) | *** | 1983 | JAN HOLLY & SUNDOWN | ||
| YOU'RE NOT IN MY ARMS TONIGHT (Ned Washington/Victor Young) | 1950 | PERCY FAITH | |||
| YOU'RE THE ONE I CARE FOR (Bert Lown/Chauncey Gray/Harry Link) | RT | * | 1951 | EARL SHELDON | |
| YOU'RE THE ONLY THING ( ? ) | *** | 1966 | ? | ||
| YOU'RE THE SWEETEST THING (Reid/Carlson/Welsh) | 1949 | RUFE SMITH | |||
| YOU'VE CHANGED (Carl Fischer/Bill Carey) | RT | * | 1951 | EARL SHELDON | |
| YOU'VE RUINED ME (Bob Merrill) | * | 1954 | MITCH MILLER | ||
| YOUR CHEATIN' HEART (Hank Williams) | ** | 1989 | THE WILD BUNCH | ||
| YOUR GOODNIGHT KISS (Ed Warren/George Goehring) | 1961 | INSTRUMENTAL ACC. | |||
| YOUR IMAGINATION (Carl Ryan Chandler) | * | 1965 | INSTRUMENTAL ACC. | ||
| ZIP-A-DEE DOO DAH (Ray Gilbert/Allie Wrubel) | 1960 | MONTY KELLY | |||
| ZOO BABY (Sid Wayne/Phil Springer) | 1955 | NORMAN LEYDEN | |||
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